Keren Benbenisty

Keren Benbenisty is a multi-disciplinary research-based artist exploring notions of loss and displacement through historical narratives and myths. Her work focuses on micro-events and their long-term ramifications within the disciplines of archeology, biology and linguistics. As such, in her recent projects, she examined the impact of migration, colonialism and exile in her homeland, Israel, a territory charged with continuous conflicts that fuel the perpetual geographical, political and social crisis.

Keren Benbenisty (b. Israel) graduated from the Ecole Nationale Superieure des Beaux-Arts, Paris (2004) and attended Cal’Arts (2003). Benbenisty has been an artist-in-residence at Skowhegan School of Painting & Sculpture; International Studio & Curatorial Program (ISCP); Residency Unlimited (RU); Arts Maebashi, Japan; Open Sessions, The Drawing Center, NY.

She is the recipient of the Joan Mitchell Grant (2019); Foundation for Contemporary Art (2019); ARTIS, Contemporary Israeli Art Fund (2011/2020), Ostrovsky Family Foundation grant (2011) among others. Recent exhibition venues include The Johnson Museum; The Drawing Center; Petach-Tikva Museum; Mishkan Ein Harod; A.I.R Gallery; CUNY Graduate Center; Tel-Aviv Museum of Modern Art;

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Keren Benbenisty

Works

Master Plan, Mother Tongue

A series of cyanotypes on pages

16X24 cm, 2019

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Mother Tongue

A series of carved stones, ink, water. Ein Harod Museum

2019

Photo credit: Elad Sarig

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Fajja

Two-channel video and sound installation, LCD screens 55”; a series of 60 drawings, blue ink on original Jaffa Oranges wrapping paper; 3D-printed object.

2018

Photo credit: Elad Sarig

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This is the Color of My Dream

Prussian Blue pigment, orange peels glued on archival digital inkjet print.

A series of 26 maps, 82X68 cm (each)

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Verlan

Drawings based on original wrapping paper of the Jaffa oranges.

30X30 cm, 2020

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Jaydia

Installation view from the exhibition Migration, Genia Schreiber Art Gallery

2017

Photo credit: Elad Sarig

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